Vienna-Copenhagen: Den Frie Udstilling 2026
The exhibition Vienna–Copenhagen presents works and editions by 170 artists in an energetic display that highlights the potential of collective formats and collegial exchange.
12/ 30 x 40 cm, 9 x 8/30 + DL 7 transparent white (glas, Kroma 2x)
2 / 61,2 x 45,7, 12/30 + DL 7 transparent white (glas, Kroma 2x)
1 / 63,0 x 92,5, 15/30 + DL 7 transparent white (glas, Kroma 2x)
Links
2024, Neuer Kunstverein Vienna
Edition: on the occasion of the exhibition PS, the first edition of the “Schweifhefte”, a series of small artist publications, is published in Berlin by Michael Glasmeier and Christian Schiebe. The first edition volume of the series: “Schweif 1” is dedicated to the series of PS drawings. 1 st edition of the Schweifhefte: Schweif 1, 2024 with Michael Glasmeier, NKW;
figures 1: 70 x 70 x 15 cm / 3 tlg.(2019) Figur 2: 100 x 60 x 40 cm / 13 tlg.
figures 3: 140 x 30 x 40 cm / 28 tlg. Familiensammlung Haselsteiner/ Dauerleihgabe Sammlung Albertina
figures 4: 70 x 70 x 70 cm / 5 tlg. (2021) Figur 5: 150 x 70 cm/ 30 tlg.
figures 6: 100 x 60 x 40 cm (2022) Familiensammlung Haselsteiner/ Dauerleihgabe Sammlung Albertina
figures 7: 150 x 70 cm
2018 für die Vögel, Wettbewerb
2019 Installation auf den Gründen des Sozialklinikums Hollabrunn;
2021 Edition Meise
2021 Universität für Angewandte Kunst, TransArts, Workshop mit Studierenden;
2022 Erweiterung des Skulpturengartens Hollabrunn;
2023 Kunsthaus Wien
2024 Universität für Angewandte Kunst, Klasse Skulptur und Raum, Hans Schabus, Skulpturenpark Graz;
2021 Edition: MEISE (Titmouse)
: à 19 x 19 x 31 cm final: 19 x 27 (19 + 8) x 31 cm.
col. RAL: 820-2, 120-2, 250-2, 790-2, 160-2;
http://claudiamaerzendorfer.com/wp-content/uploads/EditionBirdhousesCM_web.pdf” EditionBirdhousesCM_
2021 Art Collection Show, City of Graz,
2021 curated by the artist: Alfredo Barsuglia
2022 curated by the artistgroup: zweiineintopf;
Camera and Post-production: Eyup Kus
Working on stage, on the keys and backstage: Philipp Amin, Bernhard Breuer, Bernhard Hammer, Jakob Schneidewind, Rosa Märzendorfer, Nik Hummer, Jeanette Pacher;
2019 OK Linz, Sinnesrausch, curated by Genoveva Rückert and Kathi Lackner
2019 Vienna Art Week, making truth, curated by Angela Stief and Robert Punkenhofer
2021 Paraflows Festival Protestformen, curated by Judith Fegerl and Günther Friesinger
Camera: Martin Musić
working on stage, on the keys and backstage: Philipp Amin, Bernhard Breuer, Bernhard Hammer, Jakob Schneidewind, Rosa Märzendorfer, Nik Hummer, Jeanette Pacher;
2018 Singuhr Projekte Berlin, de-composition, curated by Carsten Seiffarth
2019 OK Linz, Sinnesrausch, curated by Genoveva Rückert, Kathi Lackner
2019 Vienna Art Week, making truth, curated by Angela Stief, Robert Punkenhofer
2022 Kemnade klingt! Klangkunstprojekte Bochum, curated by Reinhard Buskies
2023 published by Carsten Seiffahrt, singuhr – projekte, Berlin;
Textem Campo, Hamburg, Design Christoph Steinegger; ISBN 978-386485-295-4
publishing: Monograph Claudia Märzendorfer, Michael Glasmeier: smashed to pieces … Eine Klavierzerlegung/A Piano Dismantling. book presentation Secession Wien:
2023 Secession Wien: …smashed to pieces. Eine Klavierzerlegung. Followed by a talk with Claudia Märzendorfer and Michael Glasmeier, moderated by Annette Südbeck. Textem Campo 2023. Screening of the video film smashed to pieces…
2024 Sprachspiel. Biennale West, Vienna, curated by Ulrike Tauss
Site Specific Art
38°-40° North/Nord 27°-29° East/Ost.
1:1/ 1 QM
field photographs
Edition: 5 + 2 AP
photo edition: a Sujet 8 + 2 AP;
Links
2017 Kunsthaus Wien, “Visions of Nature”: 1 stack of 5000 QM of land glued into a block, to tear off and take with you, Photographs of the meadow sections – one square meter each, hung with the respective coordinates
Aufnahme/Recording
& Adaption für den Ausstellungsraum: akustische Installation, Wandzeichnung
10 inch Record, sleeve + paperbox/ Edition: 5 + 1 A.
10 inch Lackplatte, mit Texten in Hülle und Schuber
Voice/ Sprecherstimme des Archivars: Markus Meyer
Studiorecording, Mastering: MINUSGROUNDZERO, Wien
Als akustische Rauminstallation hörbar als Loop installiert in der
Kunst und Medienhalle Graz, 2017. Mehreren Wandlautsprechern
hinter einer Wandzeichnung.
Ice windscreen
50 x 190 cm
Melting process: approx. 4–10 hrs
paperstack with drawing, pallets/
Pile of paper with ink drawing
on the paper cut. Made wooden pallets.
Links
2016 FOX Wien, Soloshow, Reisegruppe schöner Männer [Travel Group of Handsome Men] , curated by Udo Bohnenberger * siehe Musictypewriter WV # 58, Partitur IV, FOX 2016
FOX Offspace, Wien "Reisegruppe schöner Männer"
Reisegruppe schöner Männer ist eine Versuchsanordnung – oder Geste –, bei der wie bei einer Komposition Elemente spielerisch zusammenführt werden, die Hauptbestandteile größerer Werkgruppen sein könnten:
22 b/w Photographs
(je 120 x 80 cm per Poster block, 120 x160 cm 2 blocks).
University of applied Arts, Site Specific Art (ortsbezogene Kunst, vormals: Landschaftskunst)
1:1 Poster blocks nailed side by side to the wall
Plotted, perforated, glued;
Series A5
Entered from the elevator, everything is located on the ground floor (Vom Lift aus begangen liegt alles im Parterre)
Text german/ english
Edition 20
Monografie WALL UNFOLDING (WANDABWICKLUNG)
german/ english,
Edition 100 + 10 AP
Thanks to Nils Reuter, Jeanette Pacher, Pascal Petignat
Typeface Binnenland
Published:
BIG ART temporary
Anthology: 2006- 2015
Internal Elevation. Possibly land surveyor K. is an employee of friend S.’s City Demolition Industry, Inc.
(Möglicherweise ist Landvermesser K Angestellter des Freundes S)
Serie A5
1. Edition 2020
Typeface: binnenland
Paper: Biotop
with the kind permission of transcript Verlag for the reprinting of the essay Arata Isozaki, 1963
from the title: Welten Gegenwelten.
collectors special edition: Print on tranparency paper
of 5 pieces, 4 sheets à 62.5 x 89.5 cm (total 250 x 89.5 cm)
Publication of fine paper 50 pieces, 4 sheets à 62.5 x 89.5 cm (total 250 x 89.5 cm)
2013 VOR ANKER temporary space for artists soloshow
Released by Revolver Verlag VVV/ 2013/ ISBN: 978-3-86859-324-4
Gestaltung und Schriftdesign: Niklaus Thönen
Foto: Pascal Petignat
Wool, cotton, latex, coconut: knit, croquered
44 miles wool / 72 km
Handwork: 250 x 130 x 110 cm
Links
Exhibitions:
2013 VOR ANKER temporary space for artists soloshow / Vienna art week,
edition presentation Silent Running
2016 UGM Studio, galerija Maribor, curated by Simona Vidmar & Sandro Droschl
2016 – 2017 KM- Künstlerhaus Halle für Kunst & Medien curated by Sandro Droschl
2019 Schallaburg, „der Hände Werk“ 2019 curated by Brigitte Felderer and Kathrin Ecker ( Set)
2020 Kunstverein Mannheim, „Be Seeing You“ 2020 curated by Martin Stather ( Motor)
2020 Villa Rohannec, Frankreich, abgesagt aufgrund von Cov-19, 2020 ( Motor)
2024 Albertina Modern, The Beauty of Diversity, curated by Director Angela Stief & Klaus Albrecht Schröder ( Set)
2025 Albertina Klosterneuburg, curated by Angela Stief
Letter documents
Sprache
Entwurf für ein Theaterstück
Das Autograf einer Posse in drei Akten.
Information
2012 Artweek, sculptors studios of the Academy of the Fine Arts
Links
Arnold Schönberg
“Kunst hat keinen Zweck, erfüllt aber einen in dem es ein Neues schafft, das neu bleibt auch wenn es alt wird, das in seiner Unvergänglichkeit jeder Vernichtungsabsicht widerstrebt und bei dem es der Wert allein ist nach dem zu fragen ist.”
Cast: frozen water, food colouring, musicpaper;
50 x 35 x 20 cm
Links
Performance:
2012 score #1: Atelier, Vienna
2012 score #2: ACF New York/ Schönberg a metaphor, curated by Eva Fischer
2013 score #3: Hospiz Galerie Bregenz, curated by Section a
2016 score #4: FOX Wien, Finissage/ Reisegruppe schöner Männer, curated by Udo Bohnenberger
2017 score #5: RHIZ sonic modern/ schallform gallery, vienna. curated by Peter Rantaša, — Introduction: Bernhard Günter (Leitung Wien Modern), Interpretation score #5: Irene Kepl (Violine), Alesandro Vicard (Kontrabass).
2017 score #6: Symposium der Stille, Gewächshaus Lainz
2017 score # 7: Vienna Contemporary, Galerie Konzett Vienna
2018 score # 8: Singuhr Hörgalerie Berlin, curated by: Carsten Seiffarth.
2019 score # 9: OK Linz, curated by: Genoveva Rückert und Kathi Lackner.
on Radio:
Radio Feature Spezial 26.10.2012: Ö1 by Stefan Weber “Der Gedanke kann warten er kennt keine Zeit”
2019, 2015, 2013: “Der Gedanke kann warten er kennt keine Zeit” Radio Feature Spezial Wiederholung
2013 Heuriges, Wien & Berlin, eine Initiative von Uwe Bressnik
Edition:
2013 “making of” secession / edition 150
64 Beiträge von Künstlern der Secession,
various formats and media in handmade cassette, 37 x 27 x 7 cm
Edition 150, signed and numbered edition on transparent paper
2017 Video: by Flo Prix, online -VIMEO.
with thanks to:
Christian Meyer Arnold Schönberg Center,
Gertraud Cerha & Friedrich Cerha, Bmukk,
Hospiz Galerie Collection Werner,
Stefan Weber (CH) Regisseur, Ö1 Hörspielredaktion!
and Flo Prix.
1999 Forum Stadtpark Graz, 1st Edition
2000 Kunstraum Linz Frankfurt Offenbach, 2nd Edition
2002 Künstler lernen schiessen, gingerbreadguns for the collaboration with the artist group KLS, 3rd Editiion
Concert installation in cooperation with the concept electronic band thilges 3
Cast: frozen water, ink, food colouring
2000 Installation for a concert and cd recording with thilges 3 (Studio Rosner)
2000 Sculptors studios - Academy of Fine Arts, Böcklinstrasse Vienna
2002 Depot, Vienna
2006 Tesla, Berlin (D)
12 models: plaster, oil paint
à ca. 12 x 12 x 2,5 cm
1996 Sculptors studios of the Academy of the Fine Arts, Böcklinstrasse Vienna
1997 Final exhibition of the Academy of the Fine Arts, curated by Harald Szeemann, Semperdepot, Vienna
Laminated cardboard (destroyed) and drawings, 42.5 x 30 cm
1996 Sculptors studios of the Academy of the Fine Arts, Böcklinstrasse Vienna
1997 Semperdepot, Vienna
1998 Academy of fine arts - Bildhauerschule Böcklinstraße, Vienna
1999 temporäre Installation, Final exhibition of the Academy of the Fine Arts, Semperdepot, Vienna
2002 temporäre Installation, Performance, Kunstbüro 1060, Vienna
2006 temporäre Installation, Tesla, Berlin
2010 temporäre Installation, Hard to Sell, Palais Sturany, Vienna
2018 temporäre Installation/ Fotografien, "die 90er Jahre", MUSA, Sammlung der Stadt Wien
Photos: Christoph Glatz, Claudia Märzendorfer, Roman März
collection of the City Vienna/ Sammlung der Stadt Wien
2005 World Premiere: " Viel Lärm um Nichts", Kunsthalle Wien as part of the music program:
"lebt und arbeitet in Wien 2", Claudia Märzendorfer in cooperation with the electroacoustic Band thilges3, curated by Hans Groiss and MICA
Photos. Reiner Zettl, Martin Kroll, Anna Steixner, Wolfgang Simmlinger, Oliver Ottenschläger, Michael Nagl...
Edition: Photos 60 x 80 cm: 30 x 40 cm.
Portfolio with drawings, images, text and CD: 35 x 45 x 2 cm.
Total I do between 2005 and 2017 round 5000 ice records.
further Information: Frozen Records 2, Heres to You/ Concert, Appia Stage Program, Frozen Records Archive
Claudia Märzendorfer in cooperation/ Nik Hummer and other composers/ musicians:
2005 fresh trips Festival, Kunstraum Innsbruck, curated by Annja Krautgasser
2006 Frozen Records, Tesla, Berlin (D), curated by Carsten Seiffarth
2006 Radio Orange 94.0 Studios, Vienna in cooperation with Bill Drummond, curated by Robert Jelinek
2006 Mozartjahr “Modernist Mozart” in cooperation with 20 viennese musicians and composers at Altes Zollamt, Vienna, curated by MICA and Peter Marboe
2007 Todaysart Festival, Ice Palace, Den Haag (NL), curated by Remco Schuurbiers
CM/ Frozen Record Archive in concert and exhibitions (continued project):
2006 Tesla Berlin, curated by Carsten Seiffarth
2006 Kunstmesse, Köln
2007 Salzburger Kunstverein, Salzburg
2009 Galerie Strickner, Wien
2012 Minoriten Graz
2017 Rhizom, Palais Attems
2019 Hellerau, Zentrum europäischer Künste, curated by Moritz Lobeck
2019 Literaturhaus Graz
2020 Festival Wien Modern, curated by Bernhard Günther
2021 Festival Wien Modern, curated by Bernhard Günther
2024 Künstlerhaus Bethanien, Berlin, curated by Carsten Seiffarth
Set 2005- 2013 tyres + motor WV. Nr. 60, tyres Nr. 6, 7, 8: 2022-2025;
Material/ hand made: wool, cotton, latex, coconut, knitted, croquered;
Material/ filling: sheep wool, cotton, latex, coconut matts, vernäht;
1 motor/ 2012-2013 (link: WV 60)
1 exhaust pipe/ 2006: 142 x 6 cm, 85 x 28 cm, 107 x 6 cm (total: 334 x 28 cm) Collection Albertina/ Haselsteiner
1 tank/ 2006: 115 x 40 cm
8 tyres: à 115 x 45 cm
Nr. 1/ 2005, Collection Albertina/ Haselsteiner
Nr. 2/ 2006, Collection der Stadt Wien
Nr. 3/ 2006, Collection Artothek des Bundes
Nr. 4/ 2006, Collection Albertina/ Haselsteiner
Nr. 5/ 2006, CollectionAlbertina/ Haselsteiner
Nr. 6/ 2022, Collection Albertina/ Haselsteiner
Nr. 7/ 2022, Collection Albertina/ Haselsteiner
Nr. 8/ 2025, Artist
2 snow chain/ 2006, 2022: à 115 x 45 cm
3 lights/ 2006: à 20 x 10 cm
etc. ...
Links
2005 Area 53, Wien
2009 Galerie Strickner, Wien
2009/2010 Salzburger Kunstverein
2012 Kunst am Minoritenplatz/ BMUKK.
2014 Showroom Revolver, VV Berlin Revolver Verlag
2014 vor Anker Wien, curated by Sandra und Johannes Heuer
2015 Palais Attems, Rhizom: Tage für aktuelle Kunst in Graz
2016 OFF IS, Gruppenausstellung Wien, curated by Angela Stief
2016 UGM Studio Galerija Maribor, curated by Simona Vidmar and Sandro Droschl
2016 – 2017 KM-H Künstlerhaus, Halle für Kunst & Medien, curated by Sandro Droschl
2017 Erster Parnass Artist Talk, curated by Silvie Aigner
2018 Vienna Contemporary, Galerie Charim (Set)
2019 Schallaburg, „der Hände Werk“ curated by Brigitte Felderer und Kathrin Ecker (Set)
2020 Villa Rohannec F, abgesagt Covid -19 curated by Paul Weninger
2020 Kunstverein Mannheim, “BE SEEING YOU”, curated by Martin Stathner
2021 purchase of the work block: Albertina and Familiensammlung Haselsteiner
2023 MUSA, “die 2000er Jahre”, curated by Berthold Ecker und Brigitte Borchhardt Birbaumer
2024 Albertina Modern, “The Beauty of Diversity”, curated by Direktorin Angela Stief (Set) and Klaus Albrecht Schröder
2025 DE SCULPTURA, Albertina Klosterneuburg
2026 purchase of three tyres 5-7: Albertina and Familiensammlung Haselsteiner
Photos: CM, Pascal Petignat
Published: Albertina”The Beauty of Diversity” Wien 2024, Kunstverein Mannheim,”BE SEEING YOU”, 2020, … etc.
The images show variable clippings of the work in progress and will, when finished,
show a set table with the dimensions of 1.5 x 4 meters.
The plate is set together by lots of single objects, moulded with frozen ink
and then arranged on the table.
Table for a banquet with a variety of frozen objects (glasses, fruit, plates, cutlery, money etc.) arranged on it.
The table is made of ice, too.
Edition: 10 photo prints,
Photo: 60 x 80 cm
Photo: 30 x 40cm
(Diasec and unframed).
Collection Artothek des Bundes
A5 Card Print Edition: 10
Collection: Artothek des Bundes
Published by: Werkstatt Graz ALMANACH, 2024. Hrsg. von Helene Baur, Joachim Baur; ISBN: 9783901793196
Electronic components, 25 x 25 x 28 cm
Sammlung der Stadt Wien
1991 Steirischer Herbst, memory plane
2015 "Die achtziger Jahre" in der Sammlung des MUSA (Museum der Stadt Wien),
Pluralismus an der Schwelle zum Informationszeitalter
Shelf: 320 x 400 cm
240 manufactured books: à 20.3 x 12.3 cm
models: 1997, 2004;
Links
Exhibitions:
1997/
1998 Final exhibition of the Academy of the Fine Arts, school of sculptors Böcklinstrasse Vienna
1999 Selection of the year, Academy of the Fine Arts, Semper Depot Vienna
2002 Final exhibition, Salzburger Kunstverein
2002 graz – intern, Forum Stadtpark
2016 Bildraum Bodensee
Photos: Christoph Glatz, Werner Würtinger;
2017 federal collection, Artothek des Bundes Belvedere;
